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Get It Discreetly, Do It Safely (Multimedia)

Looking back to when she first started having sex, Coco says buying contraceptives “definitely would’ve been a lot less daunting” if only she could do it online from the comfort and privacy of her own home.

Coco also thinks of her younger sister who is maturing. An online access might save her from the most intimidating step of buying contraceptives offline that Coco had to go through: being seen.

Ultimately, it would help young people to have safer sex, saving them from sexually transmitted infections (STIs) and unwanted pregnancies.
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A Comparative Analysis of Chinese and American Coverage of Meng Wanzhou's Extradition Case and Release

The two media outlets reflected different emotions and information focuses in their headlines. People's Daily news headlines displayed two sentiments. First, there are
frequent expressions of the meaning of home, such as "back", "return" and "motherland". "On journey home, Meng says 'without strong motherland, no freedom
today' (Sheng & Zhang, 2021)" and" Meng Wanzhou leaves Canada for motherland after sustained efforts by Chinese government (Xue & Sheng, 2021) " not only conveys strong patriotic sentiments and gratitude but also show the Chinese government's determination and confidence in protecting its citizens on the international stage.
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Evaluating the Role and Traditions of British Media During the COVID-19 Crisis

The liberal British media is not entirely free. Britain has maintained a free press for two hundred years and functioned as a fourth estate independent of government control (SIEBERT et al., 1963). However, as the government increases monitoring and control
of the media, Britain's press freedom ranking is falling (Ackerley, 2023). Therefore, the British media reflects typical libertarian, social responsibility and authoritarian theories.
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Historical parallels between the nature of journalistic work in this historical period and others

No matter in any historical period, journalism is progressing, and individual participation in journalism is also in the process of professionalisation. Under the influence of precarity, journalists must improve their professional skills to seize more opportunities, promote and consolidate their status, and create news driven by
professional faith and a sense of responsibility.
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The importance of precarity to nineteenth- century journalism and the similarities and differences between journalism in the nineteenth century and today

Despite the above difficulties, journalism has yet to choose to solve its problems with unionization, preferring individual action. Professional culture and literary traditions can not only solve the identity problems of journalism's respectability and social status but also explain why journalists feel attracted to the precarity of journalism and reflect the importance of precarity to journalism in the 19th century.
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哔哩哔哩考研专题推广方案

This plan provides users a customized mascot for the 2024 Graduate Entrance Examination, incorporating personalized interactive elements that reflect Bilibili's ACG (Anime, Comics, and Games) culture. The game element is integrated into the learning process, imbuing it with positive connotations and fulfilling psychological expectations. The personalized mascot is a virtual study partner, evolving as users reach specific study goals. Starting with a simple mascot, users can unlock new outfits, graduate books, mascot toys, themed attire, and various barrage styles. They can also access exclusive graduate courses by logging study hours, completing practice tests, and advancing their learning.
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哔哩哔哩直播数据调研与策略分析报告

Leveraging its strengths effectively, Bilibili continues to enhance its core businesses, such as game licensing and value-added live streaming services. It focuses on maximizing advantages and mitigating deficiencies to maintain stability in its primary sources of revenue. By cleverly combining bullet-screen comments and virtual reality, the platform enriches its content and opens up more extensive possibilities. Many game developers choose to launch their games on Bilibili, recognizing its strength in the live streaming sector.
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消费者对德芙零糖黑巧产品的需求 及反馈情况调查报告

73.33% of consumers expressed interest or a need for low-sugar chocolate products, confirming the initial hypothesis that demand for low-sugar chocolates is rising. Among these respondents, controlling sugar intake was the reason for 72.73%, followed by health considerations at 63.64%. Low-sugar and low-fat trends are becoming predominant in chocolate foods. Consumers are increasingly focusing on the health aspects of products, and Dove shows significant market potential for sugar-free dark chocolate.
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贺游紫归·共照丹晖 ——庆祝香港回归祖国二十五周年文艺晚会策划

The innovative fusion of traditional lion dance with modern street dance showcases a new form of "kung fu." Combining these two artistic expressions bridges the old with the latest. It serves as a transition between the first and second chapters. It vividly displays the charm of Chinese historical culture, builds cultural confidence, and demonstrates culture's transmission, innovation, and development.
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剧情片《坠落云端》场景设计阐述报告

The extensive greenery symbolizes vibrant life but also highlights Gao Ying's despair. The hanging vines create vertical lines that make the space feel smaller and more oppressive, adding a sense of chaos, confusion, and restlessness. Overall, the corridor enhances a sense of extension, while the venue's foggy glass contributes to a stifling atmosphere. This reflects Gao Ying's perplexed state regarding Zhang Xianglin and the scam incident and her inner turmoil obscured by self-interest, projecting her inner anxiety and hopelessness.
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探讨对比岩井俊二与金基德的电影美学

"Spring, Summer, Fall, Winter... and Spring" epitomises a symbolic film. It uses a door to symbolise boundaries, water to represent desire, and calligraphy and statues to convey Zen themes, with the four seasons symbolising the cycle of life. These images add a valuable philosophical depth to the film, with many motifs reappearing in stages to enhance the film's complexity. Director Kim Ki-duk also favours using animals as symbols to link human and animal behaviours, presenting a critique of human arrogance and supposed dignity through the lens of "lower" animals, creating a silent yet powerful commentary.
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电影《绿皮书》影视批评论文

In the broad shot where the two characters are seated, the stark black-and-white contrast of their identities breaks traditional notions and deepens their conflict. In the frame, the positions of the two characters are placed at the extreme ends of the screen, which elongates the distance between them and enhances the sense of alienation. The door frame and the brown-yellow satin curtains split the screen in half, creating a clear division between black and white, similar to the historical Chu and Han borders. In the background, a black piano adds a heavy barrier to this distance.
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从主题呈现角度分析电影《Lady Bird》

Christine McPherson's self-awareness is depicted in the scene where she paints the walls before leaving home. The graffiti on the walls symbolizes the externalization of her inner thoughts. The pink walls represent the colours of youth for a young woman. However, Christine paints them white, signifying her farewell to the small town that encapsulates her youthful energy as she moves towards a distant future. The film contrasts directions at two points. In the beginning, Julie and Christine walk from the right to the left side of the screen, passing houses representing the scenery of a rebellious phase. At that time, she refers to a blue house as the "house of dreams," a place that symbolizes beauty, wealth, and success, offering solace during her conflicts with her family.
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《姜子牙》映前档期、排片、票房评估报告

Regarding the key audience demographics, first, the gender ratio for "JIANG ZIYA: Legend of Deification" is 3:6, with females making up a higher percentage by about 5% to 6% compared to similar films like "Ne Zha" and "Monkey King: Hero is Back." Secondly, the age group 20-29 accounts for 59.4% of the audience, showing that individuals born in the 1990s are the primary viewers, closely followed by those born in the 2000s and 1980s. Thirdly, the majority of the audience has a bachelor's degree, with university students comprising 64% of viewers. Fourthly, regarding occupation, white-collar workers and general staff make up 57.4% of the audience, driven by stable incomes to spend on leisure activities.
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C. S. Lewis